FIONA SHAW |
EDUCATION | |
born 1983, UK |
2009-2011: MA Sculpture, Royal College of Art | |
based in London, UK |
2003-2006: BA (Hons) Fine Art, Cumbria Institute of the Arts | |
SHOWS |
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2011 |
I'll Be Your Mirror, Supercollider, Blackpool (curator: Fiona Shaw) | |
| Culture Shops Project, Blackpool | ||
| Fish With Broken Dreams, Galerie Heike Strelow, Frankfurt | ||
| Mrs Darling's Kiss, Arch 402, London | ||
| SHOW RCA, Royal College of Art, London | ||
| Best Of, ADLER, Frankfurt | ||
| Tanya Rumpff & Art Rotterdam Present..., Westzeedijk 114, Rotterdam | ||
2010 |
Drawing Show, 15 Howie Street, London | |
| RCA Secret 2010, Royal College of Art, London | ||
| London Festival of Architecture, Canary Wharf, London | ||
| From This Filthy Sewer Pure Gold Flows, Rogue Studios, Manchester | ||
| Interim Show, Royal College of Art, London | ||
| Art Brussels with ADLER | ||
| Embrace (RCA at ECA), Edinburgh College of Art, Edinburgh | ||
| Art Rotterdam with ADLER | ||
2009 |
Failure (and barbeque paint), 15 Howie Street, London (with Mark Davey) | |
| Supercollider Embassy (as part of the Blackpool Art Fair), Grundy Art Gallery, Blackpool | ||
| RCA Secret 2009, Royal College of Art, London | ||
| From This Filthy Sewer Pure Gold Flows, Supercollider, Blackpool | ||
| Nothing Has Changed, Except Everything, Outlet, Manchester (solo) | ||
| Holding on; forever, VAULT Gallery, Lancaster (with Tom Ireland) | ||
| The Irony Of Seeking Refuge In A Fictive History Is Not Lost On Me, Supercollider, Blackpool (solo) | ||
2008 |
Collide Now! Young Supercollider, Supercollider, Blackpool | |
| From F to F, Austrian Cultural Institute, Warsaw | ||
| Busan Biennale, APEC Naru Park, Busan, South Korea (curator: Cedar Lewisohn) [catalogue] | ||
| Pontoon, River Thames, Oxford | ||
2007 |
Crime Scene, ADLER, Frankfurt (with Ruth Barker) | |
| Vault, Bank Gallery, Carlisle | ||
| If Only Lists Didn’t Seem So Yesterday, Bank Gallery, Carlisle (solo) | ||
2006 |
Documents and Settings, Bank Gallery, Carlisle (curators: Tom Snape & Fiona Shaw) | |
| White Lies and Red Wine, Cumbria Institute of the Arts (degree show) [catalogue] | ||
| Lecture 10: War, Death, Mortality and Memorials, Bank Gallery, Carlisle (with Tom Ireland) | ||
2005 |
Tooth N Claw, Bank Gallery, Carlisle (curator: Alex Billingham) [catalogue] | |
| Hast Du Hier Eine Diskothek? Bank Gallery, Carlisle (curators: Tom Snape & Fiona Shaw) [catalogue] | ||
OTHER THINGS |
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March 2010 |
Guest Lecturer at City & Guilds of London Art School | |
April 2009 |
Co-Curator: 'One Night In Blackpool' at Supercollider, Blackpool (with Tom Ireland) | |
November 2007 |
Guest Lecturer at Blackpool & the Fylde College | |
November 2006 – 2008 |
Independent Art Critic creating online content for the Saatchi Gallery, London | |
April 2005 – May 2007 |
Founding Committee Member at Bank Gallery, Carlisle | |
WRITING ABOUT |
Amuse, Kunstbeeld, #2 2010, p. 8 | |
| Ireland, Tom, The Dark Times, Supercollider, January 2009 | ||
| Ellis, Patricia, Fiona Shaw, Busan Biennale Sculpture Project catalogue, September 2008, p. 182 | ||
Leathley, Kerry, ed. New Perspectives 1, Perspective Art, May 2007 |
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Ellis, Patricia, The Lake District Years, Hast Du Hier Eine Diskothek? catalogue, April 2005 |
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Ireland, Tom, Profile, Hast Du Hier Eine Diskothek? catalogue, April 2005 |
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WRITING BY |
For One Night Only, One Night In Blackpool catalogue, April 2009 |
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| This Too Shall Pass, Temporary Measures catalogue, January 2009 | ||
| Shining Skinned Friend, The Sum Total of Endeavours To Date catalogue, June 2008 | ||
Looks So Wrong, Feels So Right, Market Gallery Mail-Out, July 2007 |
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3rd Degree Burns, White Lies and Red Wine catalogue, June 2006 |
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With a $20 Bill I’ll Set You Straight: Whoring’s Just Fine By Me, Tooth N Claw catalogue, June 2005 |
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'Old' Is The New 'New', Hast Du Hier Eine Diskothek? catalogue, April 2005 |
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I’ve Got Fucking Tourette’s and It’s Totally Bitchin’, Blank Cheque catalogue, February 2005 |
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| Laverack, Blank Cheque catalogue, February 2005 | ||