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[ WORKIN' 9 TO 5 ]

FIONA SHAW
  EDUCATION
born 1983, UK
  2009-2011: MA Sculpture, Royal College of Art
based in London, UK
  2003-2006: BA (Hons) Fine Art, Cumbria Institute of the Arts
     
    represented by ADLER, Frankfurt
 
EXHIBITION RECORD
   
June 2010
  London Festival of Architecture, Canary Wharf, London
May 2010
  From This Filthy Sewer Pure Gold Flows, Rogue Studios, Manchester
April 2010
  Interim Show, Royal College of Art, London
April 2010
  Art Brussels with ADLER
February 2010
  Embrace (RCA at ECA), Edinburgh College of Art, Edinburgh
February 2010
  Art Rotterdam with ADLER
December 2009
  Failure (and barbeque paint), Tim Pritchard, London (with Mark Davey)
December 2009
  Supercollider Embassy (as part of the Blackpool Art Fair), Grundy Art Gallery, Blackpool
November 2009
  RCA Secret 2009, Royal College of Art, London
September 2009
  From This Filthy Sewer Pure Gold Flows, Supercollider, Blackpool
May 2009
  Nothing Has Changed, Except Everything, Outlet, Manchester (solo)
April 2009
  Holding on; forever, VAULT Gallery, Lancaster (with Tom Ireland)
January 2009
  The Irony Of Seeking Refuge In A Fictive History Is Not Lost On Me, Supercollider, Blackpool (solo)
November 2008
  Collide Now! Young Supercollider, Supercollider, Blackpool
November 2008
  From F to F, Austrian Cultural Institute, Warsaw
September 2008
  Busan Biennale, APEC Naru Park, Busan, South Korea (curator: Cedar Lewisohn) [catalogue]
August 2008
  Pontoon, River Thames, Oxford
September 2007
 

Crime Scene, ADLER, Frankfurt (with Ruth Barker)

September 2007
  Vault, Bank Gallery, Carlisle
February 2007
  If Only Lists Didn’t Seem So Yesterday, Bank Gallery, Carlisle (solo)
September 2006
  Documents and Settings, Bank Gallery, Carlisle (curators: Tom Snape & Fiona Shaw)
June 2006
  White Lies and Red Wine, Cumbria Institute of the Arts (degree show) [catalogue]
May 2006
  Lecture 10: War, Death, Mortality and Memorials, Bank Gallery, Carlisle (with Tom Ireland)
June 2005
  Tooth N Claw, Bank Gallery, Carlisle (curator: Alex Billingham) [catalogue]
April 2005
  Hast Du Hier Eine Diskothek? Bank Gallery, Carlisle (curators: Tom Snape & Fiona Shaw) [catalogue]
   
OTHER EXPERIENCE
   
April 2009
  Co-Curator: 'One Night In Blackpool' at Supercollider, Blackpool (with Tom Ireland)
November 2007
  Guest Lecturer at Blackpool & the Fylde College
November 2006 – 2008
  Independent Art Critic creating online content for the Saatchi Gallery, London
April 2005 – May 2007
  Founding Committee Member at Bank Gallery, Carlisle
  
BIBLIOGRAPHY
  Amuse, Kunstbeeld, #2 2010, p. 8
    Ireland, Tom, The Dark Times, Supercollider, January 2009
    Ellis, Patricia, Fiona Shaw, Busan Biennale Sculpture Project catalogue, September 2008, p. 182
 
press release, Crime Scene, Galerie Adler, August 2007
 
Leathley, Kerry, ed. New Perspectives 1, Perspective Art, May 2007
 
Percy, Anna, Feeling Like A Bit of a Lemon?, The Carlisle Crack, June 2006
 
Raimes, Victoria, Art You Can Bank Upon, News & Star, 11 May 2006, p. 22
 
Ellis, Patricia, The Lake District Years, Hast Du Hier Eine Diskothek? catalogue, April 2005
 
Ireland, Tom, Profile, Hast Du Hier Eine Diskothek? catalogue, April 2005
 
Rees, K, A Moment of Your Time Well Spent, News & Star, 17 Feb 2005, p. 33
PUBLICATIONS
 
For One Night Only, One Night In Blackpool catalogue, April 2009
    This Too Shall Pass, Temporary Measures catalogue, January 2009
    Shining Skinned Friend, The Sum Total of Endeavours To Date catalogue, June 2008
   
Looks So Wrong, Feels So Right, Market Gallery Mail-Out, July 2007
   
Explosive Combination, The Carlisle Crack, December 2006
   
3rd Degree Burns, White Lies and Red Wine catalogue, June 2006
   
You Can Bank On Us, The Carlisle Crack, June 2006
   
With a $20 Bill I’ll Set You Straight: Whoring’s Just Fine By Me, Tooth N Claw catalogue, June 2005
   
'Old' Is The New 'New', Hast Du Hier Eine Diskothek? catalogue, April 2005
   
I’ve Got Fucking Tourette’s and It’s Totally Bitchin’, Blank Cheque catalogue, February 2005
    Laverack, Blank Cheque catalogue, February 2005